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FALLING SKIES Scoop: Stars Moon Bloodgood, Seychelle Gabriel, Sarah Carter and Doug Jones Talk Season 4 Challenges

June 22, 2014 By Tiffany Vogt Leave a Comment

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One would think that after nearly 4 years of fighting against the Espheni, Mechs and Skitters that our heroes of the 2nd Mass would be up for any challenge. Yet Season 4 has introduced a few more curveballs and surprises in the ongoing fight to reclaim the planet.

In Season 4 of FALLING SKIES, our heroes face the biggest challenge yet: separation. The 2nd Mass was always strongest when they were all together, fighting the good fight together and knowing that they faced certain death together fueled their passion to fight to the bitter end against the Espheni and their minions. But Season 4 quickly scatters our heroes and they are left to wonder if their friends and family have survived on their own.

While at WonderCon 2014, stars Moon Bloodgood, Seychelle Gabriel, Sarah Carter and Doug Jones teased how their characters survive and what further surprises are in store. For one, baby Lexi is no longer a baby or even a young child anymore; her rapid-aging turns her into a young woman. Separated from her parents Tom Mason (Noah Wyle) and Anne Glass (Moon Bloodgood), Lexi turns to Lourdes (Seychelle Gabriel) as her closest family, leaving Tom and Anne searching frantically for their daughter. Good fortune also reunites Maggie (Sarah Carter) and Ben (Connor Jessup), which leads to a romantic complication. Then as for Cochise and the Volm, they have bigger problems to deal with than the squabbles on Earth. [Read more…]

Filed Under: Falling Skies, Featured Tagged With: Doug Jones, falling skies, moon bloodgood, Sarah Carter, season 4, Seychelle Gabriel

THE MENTALIST Recap: “Black Hearts”

May 12, 2014 By CJ Stevens 1 Comment

the mentalist black hearts

We begin where we left off last week, at Wheatondale with Abbott and Cho, and the girls on the gurneys. Cho makes a call and tells the person on the other end to find out every transplant facility in the country. Fischer shows up with Jane, and Cho fills them in as Jane surveys the area. Fischer wants to know what she can do, and Cho says to find out who had access to Wheatondale and also investigate the Qasimi brothers, since they worked closely with the people who abducted the girls, and the same people would be the ones behind the murders. Fischer says she’ll contact Beaumont Penitentiary, where I’m sure the Qasimi brothers are residing, though I’m going out on a limb here and guessing Fischer will never be able to talk to the brothers, as someone will have gotten to them way before that.

Jane lifts one of the paper blankets and looks at the sweet face of one of the dead girls. He’s so obviously affected by this. You can see the anguish on his face. Abbott comes in, and they both agree there were a lot more girls than the three located there. Jane laments that the girls had their blood types written on the bottom of their feet, as if they were part of a production line.

Abbott, Lisbon, and Pike in Abbott’s office. A man is on the computer monitor offering Lisbon a plum job in D.C. Lisbon says she has to think about it, and Abbott reiterates how much they’ll miss her. The man doesn’t miss a thing. He can see the look of sheer terror on her face. Lisbon and Pike leave to talk in the hallway. Pike has kind of reached the end of his rope patience-wise. He pushed this guy who offered her the job (Don) to pass on other candidates, so Lisbon could be with him in D.C. Wait, she hadn’t given her answer, and he took it upon himself to get her this job, and now he’s getting upset at her about it? At what point did she ask you to do her this favor, Pike? You did that all on your own.

Jane comes in and says Hi to Lisbon, pauses, and with the first sign of animosity I’ve seen from him thus far, says “Pike” in a way you’d say “Jerk.” Lisbon looks like she’s been hit by two trucks.

Cho and Wylie are at Wylie’s computer, and Abbott comes to ask about the truck they intercepted. It turns out it’s taking so long to get the information, because the truck was leased by one company, which was owned by another company, which was a subsidiary of another company. There’s six total, all privately owned.

Fischer comes in, and it looks like my psychic powers are just as good as Jane’s, because sure enough, the Qasimi brothers were stabbed in their cell that morning. Color me shocked.

Daniela comes in, and Cho is at last honest with her about her sister, in that she probably wound up on a cargo ship, headed for South America. He estimates she’ll arrive at a foreign port within the next few days. Daniela asks why she was separated, and Cho is honest with her about that as well. He tells her about the organ harvesting. Daniela is worried Amy was found among the dead girls, but Cho assures her she wasn’t.

Lisbon is staring out the window, looking like a woman who has a life-changing decision to make. Jane asks her what she’s thinking about and wants to know if it’s “meaning of life type stuff.” She responds “Something like that” when Wylie comes up and tells them that through the background checks of people associated with Wheatondale, and cross referencing with trucking companies, he came up with Michael Ridley (Titus Welliver, the bad guy we saw on the phone a couple of weeks ago.) He was a partner in the equity group that sold Wheatondale two years ago. He also owns the company to which Wylie traced the confiscated truck.

Ridley Corp. Lisbon and Jane. Ridley thinks it’s a coincidence about the girls being found in one of his trucks and says he bought Wheatondale as a distressed property and sold off the medical equipment. Jane makes a comment about how Ridley’s office is very plain, and Ridley says it’s just for work. Lisbon wants to know how thirty abducted women wound up in a truck owned by his company. Ridley is quick to point out it’s owned by one of his companies. Lisbon talks about how convoluted his corporate structure is, and Ridley condescends to her about how it’s for tax purposes, and he wouldn’t want to bore her with the details. Both Jane and Lisbon assure him that corporate accounting is fascinating, and they have all the time in the world. Ridley gives them the number of his CFO.

After Jane and Lisbon leave, Ridley immediately gets on the phone and calls Anthony, the guy who we saw him on the phone with a couple of weeks ago. Anthony is the guy who “Takes care of things” and by that I mean, “Kills anyone who goofed up or can be linked back to Ridley.” In this case, Ridley wants him to “look into” why the FBI were able to find those three dead women. Something tells me whoever is responsible, is about to meet the same fate as the Qasimi Brothers.

Break room at the FBI. Lisbon walks in to tell Cho she got offered the job. He tells her it would be a good move then tells her the first day working with her, he almost quit because of Rigsby. But then he saw the way Lisbon worked, and he knew he had to stay. He tells her he wouldn’t be where he was today, if it wasn’t for her. And coming from Cho, that’s a pretty powerful statement. He tells her that whatever decision she makes, it’s been an honor, and now Lisbon is crying and I’m crying. She hugs Cho. Gosh, I’d almost forgotten my love affair with Cho. He’s so completely made of awesome. Always.

Fischer comes to Abbott and says they got the results from the forensics at Wheatondale. Sixteen samples of DNA. One was from a guy. An Alexander Lark. Fischer thinks he’s the one who carved up the women, since he lost his license as a surgeon seven years ago. He hasn’t been seen for a couple of days (Did Anthony pay him a visit?). He has a daughter, April, in San Antonio. Abbott tells her to grab Cho and go talk to April.

April is unimpressed with the FBI. She hasn’t talked to dear old dad in two years. It appears that eight years ago, his wife died, and he took up drinking. This was followed by him losing his job and his house, and I guess years later, carving up innocent young girls around his daughter’s age. She tells them he used to take her to the beach in Corpus Christi when he wanted to get away.

Jane and Lisbon. Casa de Ridley. Smuggling young girls gets you a really nice house I guess. Jane spots a picture of Ridley sitting with Ex-President Bush. Ridley says he finds it garish and says his ex-wife wanted to display it, but Jane says he was the one who wanted it. It’s used as an intimidation tactic to let people know who they’re dealing with. Jane shows Ridley Lark’s picture. He claims not to know who it is, but Jane knows he’s lying. Lisbon swears they’ll find him, and that’s when they’ll find out he worked for Ridley. That is, if Anthony hasn’t gotten to him first.

Corpus Christi. Cho and Fischer. Lark’s car was spotted. Lo and behold, Lark is still alive, because there he is, walking to his car. As Cho and Fischer throw the cuffs on him, Anthony is witnessing it all and calling into Ridley about this turn of events. Turns out, there’s a bomb under Lark’s car that Ridley tells him to detonate. He does, and our two heroes, plus Lark, are thrown a good distance, but they’re alive and unscathed.

Interrogation room. FBI. Fischer and Abbott. Lark downs some vodka and reaches for the bottle with a shaky hand as Abbott begins his questioning. Lark says that Jesse (aka, DEAD Jesse in San Diego) would round up the girls, but if their tissue and blood type were a match for someone who needed a transplant, they were brought to Lark, all drugged up. There was forged paperwork, so everything seemed aboveboard. There was someone who came and picked up the organs and disposed of the dead girls. We see through flashback it was Anthony, but Lark doesn’t know his name. He neglects to mention the “Veni, Vidi,Vici” tattooed on Anthony’s left forearm. Lark met Ridley when he was a patient, and when Lark lost his license, Ridley offered him a “job.” He needed the money. Ridley has been involved in human trafficking for years and uses the money to go into legitimate business. When Fischer asks if it ever bothered him, he says it did at first, until he stopped thinking about it. I’m guessing vodka helped with that.

Cho is talking to a bunch of people via the internet, who I’m guessing have some control over the ports in South America. One guy says it’s going to be a problem with the Colombian board officials, since they’re paid off by the drug cartels. Drugs are moved in and out, and they’re not going to just open their doors for the FBI. Next thing you know, Cho is calling up the Colombian Embassy and threatening the guy in charge. Something tells me he’ll get his search warrant. As Cho says in not so many words, he’s not a man you want to mess with. Fischer comes in with bad news. Ridley is out on bail.

Jane is waiting for Ridley out by his car. Ridley insists he’s innocent and says that maybe this person, whoever it is, had a greater cause in mind. That the girls’ lives were taken, so the lives of “important men” could be spared. It’s okay, Jane, I’ll punch him in the face for you. Don’t want you to break your pretty hands. Ridley seems to think Jane is onboard with this nonsense. That if anyone could understand his perspective, it’s Jane. And Jane agrees, as he’s worked with “psychopaths and monsters” for years. Heh. Ridley wishes Jane a “lovely afternoon.” Jane says, “You too” and walks away.

FBI. Abbott and Fischer want Lark to give them the names of all the organ recipients, since they think these guys will roll over on Ridley. Lark wants another drink, but no drinkie until he talks. He says only Ridley knows the names, and they’re on an encrypted laptop. When pushed by Abbott, Lark says, as they show it in flashback, that he’d gone to Ridley’s house and overheard a guy asking for a transplant. Transplant guy looks like a man at death’s door, plus the telltale coughing, lets us know it’s serious. He’s Nigerian, there on business for his oil company. The Nigerian and Ridley had met at a fund raiser in Houston. He also had on an expensive, gold Philippe Badeaux watch. Lark says he used to have one just like it. Abbott asks again about Anthony, and that’s when he remembers about the tattoo. Fischer takes it out to Wylie to see If he gets any hits.

Speaking of Anthony, he’s just broken into April’s place and just stares at her while she sleeps. He focuses in on the locket around her neck with an engraved flower on it.

Lisbon, still looking like she’s just on the verge of screaming and running from the building, walks slowly with a saucer of tea and a cup of coffee in her hand. Jane’s asleep on his favorite couch, and she wakes him up. He’s delighted with the tea. She tells him to “scooch over” and sits down next to him. This is as it should be, the two of them side-by-side. She asks him how often he sleeps in his own bed, and he says there’s too many lumps. Lisbon suggests a new bed but corrects herself and says she always liked the couch. Jane gives her a look that would make me swoon. She seems to be gearing up to tell him something, when her phone rings. It’s Fischer.

We go to Fischer at the prison, and surprise, surprise, Lark has hung himself in his cell. On his bed they found the locket that had been around April’s neck.

April at the FBI. She’s alive, at least. She had no idea Anthony had lifted the locket.

Lisbon, Jane, and Fischer. They think their case is dead, along with Lark. Jane remembers the Nigerian, but Lisbon is not optimistic about their chances of finding him.

Cho and Daniela. He tells her they’ve narrowed it down to four cargo ships headed for Colombia. If they’re right, the ships will be arriving in twelve hours, and they’ll be waiting.

We go to the cargo ship, and there’s the women, holed up in and amongst a bunch of cargo. They don’t look too healthy.

FBI. Wylie tells Fischer and Lisbon he might have found the fundraising event where Ridley met the Nigerian. The Blue Skies Gala, held six weeks ago in Houston. Ironically, an environmental event put on by domestic oil companies.

Jane goes to the evidence room and asks for all of the evidence from the abandoned hospital.

Fischer is going through pictures from the event, when Lisbon joins her. Fischer, who I guess is taking shipping lessons from Abbott, suggests they wait for Jane, because he and Lisbon “always work together.” Lisbon tosses that off and gets to the business at hand. She spots the Nigerian, which isn’t a difficult task, since the man looks like a walking corpse. But they don’t notice that, only the gold watch. Wylie identifies him as Jonas Diop. He’s still in Houston and staying at the Park Huntley Hotel. Of course, Ridley manages to call him first and tell him to leave the country.

Lisbon calls Jane from the hotel to tell him, as he sifts through medications, etc., taken from Wheatondale. Of course, he pockets one of the medications, then tells Lisbon he has a plan. It involves being deceitful and corrupt and requires her to break numerous laws. So, a typical Jane plan, then. Jane fingers some bags and asks Lisbon if she’s a medium or a small. She doesn’t answer, so he grabs a couple of bags and tells her to meet him at Wheatondale in two hours.

Casa de Ridley. He pours a couple of drinks and takes the other one to…Jane? Jane asks what it is, and Ridley says it tastes like Scotch, but it’s really Japanese whiskey. When Ridley goes to grab the bottle to prove it to Jane, he takes out a dropper and drip, drips something into Ridley’s drink. Ridley comes back, none the wiser, and drinks up while babbling that the liquor is so good, because the Japanese are willing to sacrifice everything in order to succeed, just like he does and just like, he believes, Jane does. Jane stalls by talking about the Nigerian who got away, and Ridley tells him to admit defeat and move on.

Then Ridley starts to feel the effects of the drug and asks Jane to leave, but instead Jane taunts him. Tells him it’s almost as if he were drugged. Then agrees with Ridley that some lives are worth more than others before he passes out.

Wheatondale. Jane wheels Ridley on a gurney into the room where the operations were done. Jane and Lisbon don scrubs. As Ridley groggily comes to, he sees Jane cutting into someone with a scalpel. The person screams and convulses. Ridley tries to get away, but he’s strapped in tight. Blood is all over the floor and all over Jane and Lisbon, but when we swing around from the other side, we can see Lisbon with a bowl of red goo and a rag. She dips it in the bowl then lets it drip onto the body and the floor. Oh my gosh, she rubs the fake blood all over Jane’s chest, and he rubs some more for good measure. I love it when they work together like this. All Ridley can see is the person’s feet as they convulse and hears the moaning and wailing. Then the arm comes down, and it has “Veni, Vidi,Vici” tattooed on it. Lisbon says, “He’s gone,” and that’s when Ridley really starts to struggle. Jane and Lisbon turn around in mock surprise that he’s awake. Lisbon chastises Jane that he told her Ridley would be unconscious. Ridley accuses them of killing Anthony, and he tries to appeal to Lisbon as a cop, telling her it’s wrong. But she says not after what he’s done. It’s poetic justice. Jane gets the scalpel within a half an inch of Ridley’s Stomach before he’s giving up the goods and telling them how to get into his encrypted laptop. Lisbon types in the password, and it’s good.

FBI. Jane and Abbott with Ridley and his lawyer, who is claiming they tortured Ridley, so any evidence gathered is inadmissible. Abbott says only if they can prove it was gathered illegally. Ridley talks about how they killed Anthony, but Abbott shows him the live feed from the holding cell, where Anthony is currently residing.

Lisbon brings something over to Wylie for him to wipe off the tattoo. I had a feeling that was you under the paper sheet, Wylie, you little devil. He loved being in on the plan and wants t do it again. Lisbon’s smile is short-lived when Abbott comes out of interrogation and summons her to his office, where Jane is already waiting. He says the accusations against them are serious, but Jane says only if they’re true. Abbott asks if it’s true. Jane says no, and Lisbon, doing only minimally better at lying, says no as well. Abbott smiles with his cute little dimples and says he’s done with “you” and by “you” he means Jane. He makes Lisbon stay. Rut roh.

He tells her Jane is a liar, but she is an honest, good person with a long career ahead of her, and he doesn’t want to see her throw away this “new opportunity” of hers. He asks her again if it’s true, and Lisbon, who’s gotten way WAY better at lying all of a sudden, looks Abbott right in the eye and STRAIGHT UP LIES TO HIM. She tells him everything Jane said was true. Abbott leans back with a “this is veddy eeeenteresting” look on his face. Oh, that was so a test. And she passed it, because Abbott is a shipper, and he wanted to make sure she was still onboard the Jane train.

Cho comes to Daniela with some good news. They found her sister. Tearful reunion ensues.

Oh, gosh. I know I’m about to get my heart broken all over the place, because here comes Pike to pick up Lisbon. He semi-apologizes for pressuring her that morning, then she tells him she’s taking the job in D.C., and I’m wearing my frowny face. Then, oh no. Pike just blurts out “Will you marry me?” and I’m going to be sick. Fortunately, Lisbon hasn’t completely lost her mind and does not go leaping into his arms. Sheesh, guy, you saw how long it took her to say yes to D.C. Give her a second here!

Oh, man, I’m being forced to watch them smooch up a storm before Pike asks if Jane knows. Turns out Jane is a mere twenty feet away reading a book. This is just getting worse and worse. Then they smooch some more, because the show has no mercy for me, before Lisbon goes up to Jane. He asks how it went with Abbott then says they make a good team sometimes. She agrees. They make small talk, until Lisbon heads out WITHOUT TELLING HIM.

Next week is going to be a doozy.

CJ Stevens falls asleep every night to the comforting flicker of her TV. Nothing makes her happier than the little red dot on her dv-r, notifying her one of her shows is taping. She edits books for a living and was even known among her editing comrades as “the grammar police.” Ending apostrophe abuse is her calling.

Filed Under: Featured, The Mentalist Tagged With: black hearts, recap, The Mentalist

THE MENTALIST Recap: “Il Tavolo Bianco”

May 5, 2014 By CJ Stevens 1 Comment

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We begin at the FBI offices, with Jane bringing Lisbon a cup of coffee as he holds onto his saucer of tea. I still lament his former tea cup that was left shattered on the floor of the CBI. Anyway, the bureau is picking up the tab for Pike to relocate, and Lisbon is checking out the real estate for him. That’s so…nice of her. Anyway, Jane asks her if she’s decided. When she tells him she hasn’t, he says he thinks she should stay. Lisbon turns a hopeful face toward Jane, who immediately turns that grin upside down by suggesting she’d be “bored” in D.C. Disappointed by his reason, she questions him about it, to which he replies “What’s worse than boredom?” Seriously, I think this man has been reading my recaps and everything I’ve been saying, because I agree, Patrick. After being with you all of these years, she’d be bored to death with sweet, doting Pike. Of course, I’m also mad at Jane, the intuitive one, who didn’t pick up on Lisbon’s hopeful face.

Rut roh. A couple of U.S. Marshals come walking up to Jane and Lisbon. Once they confirm he is Patrick Jane, they say, “We’ve got a warrant for your arrest.” Nooooooooooo! The Attorney General found his “co-worker” (aka Abbott?) in contempt of court for ignoring a federal subpoena. Then it gets worse. “Teresa Lisbon?” “Yeah, that’s me.” “You’ve been subpoenaed to appear before a federal grand jury in Dallas.” Fischer comes walking up, and, hey! It’s free subpoena day at the FBI. You’ve got a subpoena, and you’ve got a subpoena! As Patrick is being led away in handcuffs, he advises his co-workers not to ignore these subpoenas. [Read more…]

Filed Under: Featured, The Mentalist Tagged With: Il Tavolo Bianco, recap, The Mentalist

BONES Recap: “The Nail in the Coffin”

April 22, 2014 By CJ Stevens 1 Comment

In the long previously, it’s all “Ghost Killer this and Ghost Killer that,” so I’ll go out on a limb and say this episode centers around the elusive Ghost Killer that hasn’t been talked about in a really long time.

We begin with a dad telling a campfire story about demons. Mom keeps telling him to stop, because he’s scaring the little girl, but the little boy is into it. Dad finally takes the hint and shuts up, and that’s when a skeleton body seems to fall from the sky. Mom is unimpressed with Dad’s tricks, but when the skeleton head falls into her hands, the screaming begins. Except for the boy, who thinks it’s all really cool.

Booth and Brennan at home. Apparently they’ve asked Brennan to fill out the bureau assessment for Booth re: that Germany promotion. Brennan has chosen to forego the measly three lines they’ve given her, in favor of an eighteen-page essay on comportment. Booth reminds her, this promotion affects her too, as if this territory wasn’t gone over with a fine tooth comb the previous week. But Brennan is being objective and dispassionate. Booth gets the call about the skeleton, but there’s a catch. Cam doesn’t want Brennan there, as this may be a Ghost Killer victim. She doesn’t think Brennan can be objective, so she’s using Clark instead. Brennan reacts to this in the way you’d expect, by insisting she’s going. Booth brings up how she and Cam got into it the last time. She asks if he agrees with Cam. He doesn’t, but he thinks she should be a team player and let it go. She seems to acquiesce.

She must have, because Booth shows up to the crime scene alone and says Brennan is pissed. Clark says to tell her it’s not his fault, but as Booth says, good luck with that. Cam says she doesn’t want Brennan veering off the investigation because she believes it’s the ghost killer. Booth points out she must have her suspicions. Cam said she does, but the victim was stabbed. Booth thinks the victim was also beheaded, but no. As Cam points to a noose up above, she says the body was hanged after death. Decomposition separated the head from the body.

Booth points out there was no attempt to hide the body and it’s awfully gooey. (A gooey female, according to Clark.) Then he asks “bug boy” for time of death, which is eight-ten days. Booth says he isn’t hearing anything that makes this a Ghost Killer victim, and Clark says he has to get it back to the lab to compare it to the other victims. Clark says he needs time, but Booth says they don’t have any. Then…hey! It’s Caroline! Where ya been?

She says she can’t start a serial killer investigation unless they’re certain, and when she catches sight of the body, she wonders why she didn’t just wait for the pictures. Booth pitches a fit about how Brennan should be there, and that’s when she comes walking up. I guess, not so much with the acquiescing. She sees the nail torn off thing and wonders why nobody caught it, but Clark points to his computer with all of his notes and pictures. Caroline squawks about how fighting amongst the squints is no good, and it shouldn’t go in the report, what with Booth bucking for that promotion. Booth is beyond caring about the mucky-mucks at this point. Brennan continues to goad Clark, until he calls her too arrogant to look at his findings. Apparently all of the fingers have avulsion fractures and all of the nails were ripped off. It turns out, all of her nails were glued on, but they weren’t fake, they were real.

Back at the lab, it’s the Bickersons. They’re confirming it’s a Ghost Killer victim, what with the nail of the third distal phalanx being torn off, just like all of the others, even though this one had them all torn off. Also, the attack was much more violent than all of the others. When Angela asks, Brennan says she and Clark are cool with each other, but she insists Cam should apologize to her for excluding her, which Cam points out she ignored, which Brennan says she would ignore again.

Hodgins is still at the crime scene, so he won’t be able to swab the wounds yet. Angela says she can get to identifying the victim as soon as Brennan gives her the skull. Brennan says it won’t be necessary and asks Clark to pull up Trent McNamara’s skull x-ray. When Clark asks if he was the last victim, Cam points out that he was a suicide. Brennan says she might want to reevaluate that, since the forward prominence of the lower mandible suggests a rare genetic marker. Then she asks Clark to bring up the current victim’s skull x-ray. She has the same marker. Conclusion: it’s Trent’s sister Stephanie. Cam asks why the killer would target the McNamaras.

FBI. Booth, Sweets, and Caroline. All of the differences of this killing are pointed out. How there was no attempt to hide the body or make it look like an accident. Has anyone thought of a copycat? Sweets says it’s really theatrical, and the Ghost Killer is upping his game. Booth points out it’s a “she” since that’s what Brennan said. That’s good enough for Caroline, but she also wonders why the killer targeted the McNamaras, since there’s never been a connection between the victims before. Sweets says there could have been a connection but just in the killer’s mind. Booth thinks it could just be that Stephanie was investigating her brother’s death, and she got too close to the truth.

Deputy Director Stark comes in to say he’ll give them any help they need. Booth makes a crack about how influential the McNamaras are, and that’s why he’s being so hands-on. Sweets tries to smooth it over, but DD says Booth’s honesty is why he’s being considered for the promotion. Booth cuts him off and says he’s not doing it for the promotion. Caroline says something about wealth having its privileges. DD says there are people above him who want this solved, and Booth basically tells him it will be solved when they say it’s solved. The DD says he’s glad Booth is running point on this and leaves.

Back at the lab, Hodgins returns with the fingernails for Cam to check for DNA, in case the victim scratched her assailant. She apologizes to Hodgins and reminds us he knew the McNamaras. Hodgins says they were always a little strange. He says all that money, and they’re just left with murder, sadness, and secrets, and he’s doing a hell of a lot better being broke. I don’t think that argument holds water, since even when Hodgins was wealthy, he had a rich, happy, secret-free life. Blood results come in. Stephanie was dosed with a homemade, untraceable anesthetic made from stuff you’d find in a garden.

Booth and Brennan, on their way to see the McNamaras’ gardener, who was the last person to see Stephanie alive. Brennan thinks the gardener would need a science background to make the anesthetic. Brennan also says she wrote seven pages on Booth’s problem-solving skills but reported her skepticism with him relying on his gut. Then she rationalized it by saying the gut instinct comes from highly developed observational skills, so it’s probably from what he sees, anyway. Booth thanks her for her support, and she asks how could she not, because he believed her when there was no tangible evidence there was a Ghost Killer. Booth says he relied on his gut.

The McNamaras. The stables. The gardener is telling them the last place she saw Stephanie was in the tack room. She left for her ten a.m. ride and never came back. The gardener never reported Stephanie missing, because she’d take off for trips a week at a time. She also grows peas and beans, which are key ingredients in the homemade anesthetic. Then Brennan opens a stable door and finds scratch marks on the inside, but they’re old. Also a fingernail is embedded in there. Booth sees something and pulls away the rug. It looks like someone was kicking at the floor. These marks are fresh, so it’s probably where Stephanie was abducted.

The lab. Clark and Brennan. Clark has categorized the perimortem injuries. Sixteen sharp-force traumas, mainly to the torso and neck. The wounds are from a serrated blade, and Clarke is having Hodgins swab the wounds for plant particulates to implicate the gardener, but so far there’s no proof she was involved. Then he thanks Brennan for being so accepting of him on the case and says he’s determined to prove Pelant wrong when he said Brennan wouldn’t be able to solve the case without him.

They find out Stephanie’s nails had been torn and bent back fifteen years ago, so if her nails grew back, they’d be irregular. Brennan thinks it must have been Stephanie who’d been scratching at the stable door, and Cam comes in to confirm it, based on the DNA taken from the fingernail Brennan found in the door. The other nails don’t belong to Stephanie, so Brennan thinks the killer glued the nails from his other victims onto her.

Booth wants to check with the SEC to find out who benefits from Stephanie’s death, but Sweets insists the murders are from an emotional, not financial, need. Booth says the gardener being the murderer would fulfill both, but Sweets says none of the other murders suggests a financial motive. Booth doesn’t care, since the McNamaras were loaded, and in murders like that, it’s always about the money.

The SEC. Booth and Caroline. Turns out that even though the records were sealed, they were able to find out the McNamaras were investigated eight times for stuff like insider trading. Caroline points out one of those cases involved 132 million dollars in tax violations and missing funds, but all they got was a slap on the wrist. SEC lady says the responsible entity received a cease and desist and paid a fine. Booth wants to know if Giles McNamara is an entity now, and  SEC lady says they try to avoid prosecution. It’s time-consuming. But Booth says it didn’t take them long to figure out Giles had paid off the medical examiner with two million dollars using one of his shell companies. SEC lady points to the 65-billion dollar Madoff case and basically says that two million was small potatoes, in comparison. Caroline says they’ll need the financial records for the McNamaras for the past eighteen years, but SEC lady says it’s confidential, proprietary information. Booth threatens her with a DOJ warrant to put her in jail for obstruction of a murder investigation. SEC lady picks up the phone. Good move. When Booth gets his “don’t eff with me” face on, you know he means business.

The lab. Angela tells Hodgins there’s six hard drives’ worth of financial information for the McNamaras’ financial dealings for the last eighteen years. As for the body, there was pesticide and other garden-type chemicals inside Stephanie’s stab wounds, which means they were on the murder weapon. They’re going to get a search warrant for the gardener’s chemicals and possible murder weapons.

Interrogation room. Booth and Brennan. Gardener in the hotseat. She’s told about all of the evidence against her and how they’re testing all of her tools. She said she has a pension, so why would she kill for money, but Booth said she thought she deserved more. When Brennan asks her to turn her head to the side, she declines, so Brennan gets up and stands to the side of her. Brennan asks to feel her mandible. After feeling around, Brennan deduces the gardener felt she deserved more money because she’s a half-sibling. Giles was her father. He had an affair with her mom, who worked on the estate. The gardener seems shocked by this. As the only remaining McNamara, even illegitimate, she stands to inherit billions.

Lab. Cam and Clark. Turns out, the other nails did belong to the other victims, including Trent, which means Cam’s ruling that it was a suicide is wrong. Clarke wants to know if the gardener would have had contact with some of the other victims. They go to Angela for the answers. It turns out it was Stephanie, not the gardener, who had contact with all of the victims. She’d put the nails on herself. She was the ghost killer. Now they wonder who killed her. Called it! Copy cat!

Back at the FBI, the crowd is gathered, including Brennan, Sweets, Caroline, and Booth, of course. DD wants to know what would make a princess become a serial killer. Sweets says the answer is Giles, who was a megalomaniac. He was very controlling and dominating, and the gardener admitted he used to lock Stephanie in the stables. When Stephanie put those fingernails on, she was putting something back she felt her father had stolen from her. Nobody reported the abuse. There’s one fingernail with no identity, but Booth thinks it’s from a victim they don’t know about. The gardener is still the best suspect. The DD says he wants convictions. No loose ends.

The lab. Hodgins found traces of tobacco in the wounds, which means it was also on the weapon. Stephanie had smoked, but there were no cigarettes, etc. on her at the time. Cam comes in to say she found out who the last victim is, and it was someone who died twenty years ago at age fifteen. Maya Zinkow. Hodgins remembers Maya and says she and Stephanie were classmates. At the time, a nice schoolteacher was convicted of the crime. They’re exhuming Maya’s body to see if they can link Stephanie to the murder and possibly clear the teacher. I’m sure he can just go back to that nice teaching career now. No problem.

Exhumation. Cam, Booth, and Brennan. Herman Kessler, the guy they convicted of killing Maya, was released six months previous, so he’d have good reason to come after Stephanie. Brennan wants to know how HE’D know, since they just found out. They open the casket, and despite my “Maya isn’t really dead and she murdered everyone” theory, Brennan compares the x-rays to the corpse and says there’s an excellent chance it’s Maya. Caroline is having the medical examiner’s report sent to the lab, and Booth will have Sweets locate Kessler.

The lab. Brennan, Cam, and Clark. The remains were put in a casket at the coroner’s office then taken straight to the cemetery, so she wasn’t embalmed. Cam thinks it’s strange her body wasn’t released to the family, so they could go through the funeral home. Brennan says none of the stab wounds were categorized except for a couple, when there’s clearly like sixteen stab wounds, plus the avulsion fracture from the torn fingernail. Turns out the ME who signed off on it was the same one Giles had paid off on the Lana Brewster autopsy, who was another victim of the Ghost Killer. Now they think it’s possible daddy Giles may have known Stephanie was killing these people but did nothing about it. Brennan wants to know how Kessler got this information.

Kessler’s apartment. Booth and Sweets. The red-headed super is asking if the murders are like Dahmer bad, until Booth threatens him with obstruction of justice, so he just opens the door. Inside are nothing but file boxes on Giles McNamara. Sweets makes a safe bet on calling it an obsession. They also find two sets of blueprints. One to the McNamaras and the other to someone else’s house. Booth thinks he’s going after that person now.

FBI. Booth, Caroline, and Sweets. Booth says Angela is going through the Hall of Records to find out whose house the blueprints are for. It turns out, Kessler got all of his information from behind bars. Since he was launching an appeal, he was able to get his hands on anything even remotely related to the case. Booth points out he never filed an appeal, and Sweets says that’s because he had no intention to. It was all about revenge. Kessler knew he couldn’t go up against the McNamaras, so he spent twenty years in prison figuring out a way to even the score. Among the info they found, was the pictures of the Maya crime scene, which supposedly never existed, due to damaged negatives. McNamara must have had someone working on the inside. Booth wants to find out who hid the evidence.

The Lab. Brennan, Clark, and Cam. The wounds on Maya’s body show a left to right trajectory, but the report states it was a right to left trajectory. The ME’s report was specifically designed to make Kessler look guilty. Brennan says Maya’s wounds mirror Stephanie’s wounds. Since Kessler was the only one who had access to the real information, they presume he must have killed Stephanie. Cam points out the rape charge that was dropped, but Cam says it was only because they didn’t want the body examined. Cam did find evidence of it, though. Of course, Stephanie couldn’t have raped her. Cam decides to try for seminal fluid evidence and says it’s not impossible to retrieve after twenty years. Really? Huh.

Angela goes to Brennan and Cam to tell them she found out what house the blueprints were for. Congressman Palter.

FBI. Booth and Sweets. Congressman Palter used to be Judge Palter, who presided over the Maya case. Then McNamara funded his congressional campaign through shell companies. Brennan comes in to say Cam got a viable semen sample. It was Giles McNamara. Sweets says it makes perfect sense for Stephanie to have killed Maya, since Stephanie was abused and would do anything to get her father’s attention. Booth is shocked that Stephanie would be jealous he raped someone, but to her, Maya was getting all of the attention, which led to a psychotic break. Giles hadn’t done all of the cover-up to protect Stephanie but himself. Booth wants Sweets to let the DD know what’s going on with the congressman.

Car. Booth and Brennan. They’ve got the siren on as they race to Palter’s. He’s not answering his phone, and Booth hopes he’s out playing poker. You mean they weren’t able to get his cell number? Booth says the DD was not surprised when he found out there was someone at the FBI who was protecting McNamara but gave him a blank check to find out who it was. When they get to Palter’s, they find his car door open and coffee spilled on the ground. They rush to the house, guns drawn. When they see a couple of huge pools of blood, Booth shoots the lock, and they go inside to find Palter hanging from the ceiling.

The lab. They immediately get to work on Palter’s body. He has the same number of stab wounds as Maya and Stephanie. Clark finds a wound that’s deeper than all the rest. Cam begins cutting away the tissue so they can get a mold of the wound and figure out the weapon.

FBI. DD, Booth, Caroline, and Sweets. All of a sudden the DD is yelling at Booth about the dead congressman, like it’s his fault. Booth says he’s just worried about who’s next. They don’t know, which is why they need to get out of the office and get back to work.

The lab. Hodgins tells Brennan he found tobacco in the congressman’s wound as well, and not only was he not a smoker, he legislated a higher tobacco tax. Hodgins also found evidence of a pesticide, but it’s been banned for decades. This goes with the evidence Brennan found that the weapon was really old. While Hodgins investigates fibers found in the wound, Brennan is doing an MRI on both victims.

FBI. They think with all of Kessler’s information, he knows the person in the FBI who was protecting McNamara, and that person will probably be next. Stephanie and Palter were killed within ten miles of each other, so Booth thinks Kessler must be close. Sweets agrees that he seems to be reliving the crime and making it turn out the way he thinks it was supposed to. Booth asks if Kessler is home. Sweets thinks he is, psychologically.

The lab. Through the computer images of the wounds on both the congressman and Maya, they can tell both victims were killed by a hooked blade. Hodgins comes in to say the fibers he found in the wound were asbestos. It was banned in the 1950s but was used in cigarette filters at the time. Cam asks if the victims were killed in an old tobacco factory. Must be, since Angela’s magical computer got a match. The murder weapon was a tobacco scythe.

Booth and Brennan. Sirens blaring. They’re headed to the Old Dominion tobacco factory that closed in 1968. Brennan asks if Booth called in for backup, but Booth says he knows guys like Kessler, and the quieter they are, the more chance they have of nabbing him.

Old Dominion factory. They find Kessler with a noose around his neck, ready to jump. They try to convince him to help them put people away for the cover-up (though there’s only one left now, since he killed everyone else), but Kessler says it’s no use, since the law isn’t for people like the McNamaras. That won’t be a problem, I think. The only remaining McNamara is the gardener, who didn’t even know she was a McNamara until Booth and Brennan told her. Brennan begs him to try, but he jumps. That’s when Booth shoots at the rope and breaks it. Kessler asks why Booth did that, since they won’t let him live, anyway. Booth promises they will.

Booth and Brennan at home. Booth brings home beer, since that’s all he could get his hands on, but they have to celebrate solving the Ghost Killer case. He says they’re trying to cut a deal with Kessler, so he’ll give them information. When Brennan points out he’s a killer, Booth says it matters who he killed, and that in the old west, he would have been made a sheriff. The DD recommended Booth for the promotion, but he has to be confirmed by the House subcommittee. Booth said he made it clear that no matter what happened, he and Brennan would remain partners.

Brennan wants to know if she should stop with the questionnaire, but Booth says the government loves their paperwork. Brennan says there was one question regarding them having a relationship outside of work. Booth says to skip it, but Brennan already wrote at length about their sex life, and doesn’t Booth find it interesting, and they told her to be thorough. She also wrote about how he never throws his socks in the hamper. Brennan is worried about being called before congress because she didn’t answer the question, but Booth thinks she should take the chance and skip it. Then they toast to catching the Ghost Killer.  

CJ Stevens falls asleep every night to the comforting flicker of her TV. Nothing makes her happier than the little red dot on her dv-r, notifying her one of her shows is taping. She edits books for a living and was even known among her editing comrades as “the grammar police.” Ending apostrophe abuse is her calling.

Filed Under: Bones, Featured Tagged With: Bones, recap, the nail in the coffin

SALEM Preview: A World Where Witches Do Exist

April 20, 2014 By Tiffany Vogt Leave a Comment

Salem-WGN-Poster

The new WGN America series SALEM takes the classic tale of the Salem witch trials and imagines that the witches were real, and that there not only witches residing in Salem, but other things that go bump in the night too. Capitalizing on the recent television craze for historical fantasy, SALEM offers adds an element of supernatural horror to its dark series.

SALEM stars Janet Montgomery and Shane West as star-crossed lovers John Alden and Mary Sibley who were cruelly separated for 7 years during the American Revolutionary War. Seven years is a long time and with John Alden presumed dead, Mary Sibley moved on in her life. She went from being just a beautiful young maiden, desired by all the good men of Salem, to being the wife of the town’s more prominent leaders. So when John returns from the war, thinking to reclaim his home and the girl he loved, he is in for a cold surprise. Likewise for Mary, who believed John was lost during the war and made a series of irrevocable life choices based on that false assumption; choices which she undoubtedly wishes she could take back.

So John Alden’s return to his hometown of Salem is met with a bit of shock and sadness. [Read more…]

Filed Under: Featured, Salem Tagged With: preview, salem, Season 1, wgn

THE 100 Scoop: Thomas McDonell Talks Playing A Character Torn Between Two Lovers

April 16, 2014 By Tiffany Vogt Leave a Comment

Thomas McDonell the 100

It is a predicament that most men would kill for: two women vying for a young man’s attention. But in the case of Finn Collins (Thomas McDonell), it is his worst nightmare. In the new CW series THE 100, Finn thought he had been condemned to die on a radiation-soaked planet, only to discover that Earth is a virtual paradise after living his entire life on a dying space station. Finn thought he would never see his old love Raven (Lindsey Morgan) ever again — yet in a much shorter time than anyone could have guessed, Raven has retrofitted a space pod so that she may rejoin her love on the planet below.

Unfortunately, Raven could never have guessed that Finn’s fatalistic view would lead him to fall in love again so quickly. From that first day on Earth, Finn was drawn to Clarke Griffin (Eliza Taylor), the de facto, self-appointed lead/savior of those sent to Earth. So now, in the space of a very short amount of time, Finn is going to be faced with two loves and one hard decision.

In a recent exclusive interview, star Thomas McDonell ruefully talked about his character’s interesting predicament and what he loves about portraying the reckless and romantic hero of THE 100. [Read more…]

Filed Under: Featured, Interview, The 100 Tagged With: Finn Collins, interview, Season 1, The 100, thomas mcdonell

GRIMM Preview: Star Bitsie Tulloch Gives the Inside Scoop on Season 3 and Previews Her Film “Parkland”

October 4, 2013 By Tiffany Vogt Leave a Comment

In the NBC dark fairytale series GRIMM, there are creatures which seemed to have stepped right out of one of your nightmares. But not all creatures are to be feared. Known as wesen, some are good and some are evil, just like their human counterparts. Having just found out about the wesen world, Nick Burkhardt (David Giuntoli) also found out that he is a descendent of a special lineage known as Grimms. In the first couple of seasons of GRIMM, Nick’s fiancé Juliette was living blissfully unaware of the wesen world and the particular new duties of her fiancé outside of his detective work. But finally as the end of Season 2, Nick revealed his secret life and this other supernatural world to Juliette. Unfortunately, just as Juliette was beginning to take it all in stride and get used to the idea of living with wesen all around, up came a zombie apocalypse.

The Season 2 finale left our hero Nick entrapped and exposed to the zombie venom, with Juliette and their friends Monroe and Rosalee left to fend for themselves against the encroaching zombie mob. In an exclusive interview, co-star Bitsie Tulloch talked about what obstacles our heroes face in Season 3 and where the Nick/Juliette romance is headed in the midst of all these huge revelations. Bitsie also talked briefly about her new film “Parkland” which debuts in theaters on Friday, October 4th. [Read more…]

Filed Under: Featured, Grimm Tagged With: Bitsie Tulloch, grimm, interview, juliette, movie, NBC, Parkland, preview, scoop, season 3, Television

ONCE UPON A TIME Scoop: Showrunners Adam Horowitz and Eddy Kitsis Tease a Trip to Neverland Uncovers Mermaids, Lost Boys, Creepy Dolls & More!

September 29, 2013 By Tiffany Vogt Leave a Comment

once upon a time cast

When the fairytale series ONCE UPON A TIME first debuted it was lauded to be from LOST writers Adam Horowitz and Eddy Kitsis.  Surprisingly, by season 3, there is a lot more in common between the two shows than one would have initially suspected.  In Season 1, there was Regina’s Storybrooke curse which at first glance seemed to resemble LOST’s smoke-monster as it was unleashed.  Then in Season 3, there is an actual mystical island filled with all kinds of supernatural and unexpected things.  There’s “lost boys” which remind us distinctly of LOST’s “the others,” lots of lush tropical foliage that seems to go in circles and is constantly rustling with foreboding danger, and but all accounts from everyone who goes there, it is equivalent to purgatory itself. Plus, there’s Peter Pan, who definitely feels very other-worldly.  Even Hook describes Peter Pan as, “He may look like a boy, but he’s a bloody demon.”  Peter Pan is Neverland’s a non-benevolent being that gives everyone nightmares; even Rumplestiltskin shudders at the thought of encountering him.

ONCE UPON A TIME’s journey to Neverland is anything but a peaceful journey to a world of constant delight. It is a place everyone seeks to avoid at all costs.  Thus, when Greg and Tamara kidnapped Henry and took him off to Neverland at the behest of Home Office, little did they suspect what was really going on.  Right away, they will see how naive they were to believe that this was a trip to eliminate magic.

Simultaneous to Greg, Tamara and Henry’s journey to Neverland, hot on their heels are wrathful and protective team of Regina, Emma, Snow, Charming, Gold and Hook.  With their magical powers restored, both Regina and Gold are itching for the chance to demonstrate their newfound abilities.  In addition, while their goals may be temporarily aligned in recovering Henry, none are too anxious to spend too much time together.  Though Hook seems only too happy to aid in Emma’s quest now that he thinks the path to heart may be clear with Neal out of the picture.

Yet no one should be so quick to dismiss Neal.  He is Rumplestiltskin’s son after all, and he quickly learns “that which does not kill you, makes you stronger.”  Learning he has a family to fight for and return to has inspired Neal to embrace a bit of his own destiny.

Season 3 of ONCE UPON A TIME is all about “belief.”  Who do we believe we are?  The season will take each of the characters on a journey through their own pasts to help shed light on who they each are and why.  Creators and executive producers Eddy Kitsis and Adam Horowitz explain that only by remembering their pasts and learning from those experiences will each of the characters be saved from repeating it.  So in exploring the theme of “belief” we will see the impact it has on each character — whether they believe, what they believe and whether they should believe.  For Neverland runs on “belief.”

In a recent press Q&A, Eddy and Adam candidly shared a few teasers on what Season 3 holds in store for our Storybrooke heroes: [Read more…]

Filed Under: Featured, Once Upon a Time Tagged With: ABC, Adam Horowitz, Captain Swan, Charming, Colin O'Donohue, Eddy Kitsis, emma, Ginnifer Goodwin, henry, hook, jennifer morrison, josh dallas, Neverland, ONCE UPON A TIME, preview, scoop, season 3, Snow, spoilers

Dispatches From The Couch: HOSTAGES, SURVIVOR, BREAKING BAD & More!

September 20, 2013 By Richard M. Simms 1 Comment

Want to know why PROJECT RUNWAY continues to be among the best reality shows on television? Not only is it focused on an actual skill, but unlike just about any other reality offering, it curtails drama rather than encouraging it. After Ken’s latest inappropriate outburst of anger this week, producers immediately stepped in and dealt with the situation. Whereas RUNWAY opted to create a situation in which Ken would be separated from the contestants with whom he’d been having issues, BIG BROTHER would have arranged for them to be permanent roomies to encourage further dust-ups. [Read more…]

Filed Under: breaking bad, Dispatches From The Couch, Featured, Hostages, Survivor

MAJOR CRIMES Intel: Mary McDonnell Talks Tom Berenger Joining Cast and Teasers for Season 2

June 10, 2013 By Tiffany Vogt Leave a Comment


 
Captain Sharon Raydor (Mary McDonnell)  has always been a bit of an enigma on the TNT drama series MAJOR CRIMES.  But as she took the orphaned Rusty (Graham Patrick Martin) under wing, we began to see a softer-side of the by-the-book police captain.  Looking to peel back yet another layer on her personal life, the second season introduces her estranged husband, portrayed by Tom Berenger.  In a recent exclusive interview, star Mary McDonnell provided some insight as to what Sharon Raydor’s husband is like and how that reappearance shakes up her professional and person life in MAJOR CRIMES. [Read more…]

Filed Under: Featured, Major Crimes, The Closer Tagged With: interview, major crimes, mary mcdonnell, The Closer, TNT, Tom Berenger

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